1970s interiors: Groovy and laid-back
More than just disco balls and bell-bottoms, the 1970s brought a wave of change that was reflected in interiors as society broke free from rigid rules and embraced personal expression.
Just like the fashion of the time, 1970s interior design was playful, eclectic and optimistic. The period was defined by the transition from modernism into something more free-form and forward-thinking—a sense of liberation and freedom that extended to more experimentation and broad playing with aesthetic ideas, leading to the mélange of many different styles.
The hippie movement made DIY and artisanal crafts like macramé popular, particularly in the Philippines where rattan, wicker, capiz and other natural materials abound. A liberal outlook meant an acceptance as well as enjoyment of other cultures which made the ethnic fashionable. Student activism and renewed nationalism encouraged the rediscovery of our culture and ethnic crafts which also figured in our interiors.
There was a new mindset about comfort and individuality, making homes feel warm, inviting and personal. Since it’s more lived-in than styled, an ethos that resonates today, it’s no surprise that there’s a ’70s revival in design and interiors.
Natural and artisanal
Filipino designers and architects championed local resources to celebrate Filipino identity. Capiz was proudly used for the chandeliers at the lobby of the Cultural Center of the Philippines. Coco Banana, the landmark ’70s Manila disco with tropical hacienda interiors, showcased the best of Philippine craftwork like geometric Machuca tiles and brass coconut trees that greeted guests at the entrance. Rattan and wicker were made into furniture that was exported all over the world and macramé home accessories were seen everywhere.
Statement lighting
Lighting turned into a sculptural statement like in National Artist Leandro Locsin’s designs in the Philippine International Convention Center lobby. Bold, geometric shapes were favored, together with playful materials like smoked glass, chrome and Technicolor plastics. The lava lamp, a carry-over from the ’60s, was still going strong in the era of hippie psychedelia.
Bold patterns
In consonance with the exuberance of the decade, geometric shapes in bright, contrasting colors filled walls, fabrics, rugs and objects.
Wood paneling
Wood paneling was used on walls to create a warm, moody backdrop. This was offset by bright, ’70s furniture, modernist paintings and accessories.
Floating stairs
A floating staircase, a hallmark of tropical modernism in the Philippines, featured chunky native hardwoods and exposed steel structural stringers. It was a focal point in the design-forward set of The Brady Bunch TV sitcom.
Conversation pits
Sunken seating areas built into the floor encouraged conviviality and bonding which has been adopted today with living room seating that forms an enclosed space to serve the same function.
Low seating
Bean bags and low seating were part of the laid-back attitude that was also reflected in the conversation pit and sunken living room, but with more versatility.
Textured and tactile
With comfort as a priority, plush fabrics like velvet for upholstery and textured surfaces like shag rugs were used in decorating.
Pop art posters
Inspired by artists like Andy Warhol and Peter Max, pop art became a popular form of wall décor.
Beaded curtains
In wood, glass and plastic, beaded curtains added a touch of flair to doorways and windows, producing a rattling sound that became part of the ’70s atmosphere.
Bongga Ka 'Day : The Annie Batungbakal Musical featuring music of Hotdog opens on Sept. 18 at Newport Performing Arts Theater. Produced by Newport World Resorts with The Philippine STAR and Viva Entertainment. Line Produced by Peta Plus. Directed by Chris Millado.
