dwta believes stories from the regions deserve to be heard
Since 2022, thousands of young lovestruck Filipinos across the country have exchanged “Padaba taka”—“I love you” in Bikol—because of singer-songwriter dwta.
In the first verse of the charming love song, she addresses the listener like a lover, inviting them to eat “igwang laing na may siling labyu” —a beat—“Ay, labuyo!” It has been streamed over 17 million times.
Now, dwta has performed at the annual Wanderland Festival and was named by Spotify as one of OPM’s best new artists. “It was a dream that seemed impossible,” says dwta, reflecting on her year so far.
Being born and raised in Bicol and making songs in her mother tongue presented additional hurdles that made “making it” as a singer all the more out of reach. But she didn’t want to put her identity aside in pursuit of success in an industry that only champions a single voice. After all, if OPM is only home to stories of the capital, is it really Original Pinoy Music?
We sit down with dwta to ask what she believes will make the music industry better for artists from the regions, so that finding success will no longer seem like an impossible dream.
“I find it hard to speak about my feelings, so learning how to write songs, especially in Bikol, has been the best form of art through which I can freely express myself,” says dwta.
THE PHILIPPINE STAR: Have you always found comfort in writing songs and telling stories? How did you decide that you wanted to release Bikol music?
DWTA: I find it hard to speak about my feelings, so learning how to write songs, especially in Bikol, has been the best form of art through which I can freely express myself. I don’t remember how I decided to release Bikol songs, but I remember writing my first one. It was during a songwriting competition in Bicol. The song I wrote just felt more authentic and sincere since it’s in my mother tongue.
That’s why some local artists are afraid to get their music out there—even their own people don’t support their craft.
How does it feel to be recognized for music you made that’s true to who you are and where you come from?
It feels fulfilling to make music without trying to be someone I’m not. I thought these things were impossible, like being able to release songs in a language other than Tagalog or English. I’m also grateful because this has allowed me not only to showcase my skills but also to promote my rich culture and my roots.
It amazes me how my music is appreciated by Bicolanos and people all over the country. It shows that staying true to who you are can touch the hearts of many. By staying true to my roots, I’ve been able to create something meaningful.
What were some barriers you faced as a non-Manila artist singing in your native language?
Being treated differently. If people can’t understand you, they won’t listen to you. If you’re not famous, people won’t treat you equally. If you’re not a Manila-based artist, you don’t deserve a higher talent fee. The worst part was that some of it happened in Bicol. It saddens me that even in your own place, you are treated differently. That’s why some local artists find it hard to make it in the industry or are afraid to get their music out there—even their own people don’t support their craft. I am just thankful that we have platforms now where we can freely share our craft and be heard and seen by many.
What can we do to improve the industry and welcome more storytellers and artists from the regions?
The easiest thing that almost everyone can do right now is to support local artists. Even the big artists you idolize all started as local artists from their regions. Listening to their music, buying their merch, attending their gigs, and sharing their music is already a huge help. Many artists lose motivation because some people belittle their abilities, so let’s just keep showing up for them.
What is your dream for OPM?
My dream for OPM is for it to transcend (borders and be heard) all over the world. I imagine a future where songs written in Bikol, Cebuano, Ilocano, Ilonggo, and many other Philippine languages are known and celebrated internationally.
Are there any local artists or bands that you think deserve more recognition?
Many artists deserve more recognition, especially those from different regions who don’t have enough resources to promote their music. In Bicol, I know some artists who create wonderful music, like Jan Roberts, Carlo Campit, Rahuyo, Al Jang, EJ Clarks, Mei Teves, Tothapi, Ched Valencia, and many more. They are just a few of the thousands of talented individuals across the country.
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Dwta’s latest single Pauwi Na ‘Ko (Dito Ka Na Lang) is out now on all major streaming platforms via Sony Music Entertainment.
