Amid the lifting gloom of the pandemic — “lifting” perhaps for those of us who’ve had at least their first vaccine shots — a blast of sunshine came into our lives two weeks ago.
We had been busy marshalling our limited resources and those of our network of senior titos and titas in aid of community pantries, anti-COVID measures, and sundry causes and charities, not expecting anything back but smiles and good vibes. And then a friend popped up in our driveway with a surprise gift that made my day.
I’d been friends with Jim (let’s call him that) for 50 years, since we met in UP and became student activists in the same organization. We were actually batchmates in grade school, but it was in our work for the anti-Marcos resistance that we grew closer, tooling around in his white Renault to this and that exploit.
After EDSA, Jim served in the government, and when he left, he established a private art-related company that became hugely successful and is now a leader in its field.
For all that and more, Jim announced that he had drawn up a shortlist of guy-friends whom he was gifting with a very special surprise — a package comprising a turntable, an amplifier, and a pair of speakers. “Just a starter set,” he said apologetically, but as far as I was concerned it was a little bit of heaven — Sixties heaven, to be more specific.
I have everything in the house – from a 1905 Hammond typewriter and a ship captain’s navigational guidebook that traveled the world in the 1700s to boxes of pens from the 1920s, pocket watches that clocked railroad traffic a century ago, and a red rotary telephone – but not a turntable.
I have to confess that I’m no audiophile, despite my proclivity for vintage fountain pens, typewriters, old watches, antiquarian books, and generally anything older than me.
I have everything in the house — my mini-museum —from a 1905 Hammond typewriter and a ship captain’s navigational guidebook that traveled the world in the 1700s to boxes of pens from the 1920s, pocket watches that clocked railroad traffic a century ago, and a red rotary telephone —but not a turntable.
It’s not that I don’t like music, or vinyl records and turntables in particular. I grew up playing 45s and 78s (33s weren’t that plentiful then) in our big cabinet-like player that had glowing tubes in the back.
Not having TV until I reached high school (for that we stuck our snotty faces into a neighbor’s window), I became quite adept at playing records, mesmerized by the sight of them stacked and dropping on the platter, and by the tonearm finding its way to the first groove.
Hiss, hiss, pop, pop — and then a trumpet blast or a guitar riff, and off you went to dreamland, an adult kind of place you couldn’t fully understand as a kid, but which sounded like fun — full of stardust, cherry pink and apple blossom white, love letters in the sand, swallows in Capistrano, amore, and teenage señoritas.
Despite those happy associations, I never bought a record player even if I could, maybe because I knew it was going to be a very deep and expensive rabbit hole (I should’ve told myself that about pens and typewriters).
I’d seen friends whose houses and cars had been taken over by hyper-expensive sound systems, and whose vocabularies now sprouted words like “attenuator,” “circum-aural,” “impedance” and “sibilant,” and I just couldn’t get into that — I was into music, not sound.
When cassette tapes, CDs, Walkmans, and iPods followed, I gladly went along, content to enjoy my favorite tracks on earphones.
But Jim’s gift, so thoughtfully given, was too nice to refuse, and I have to admit to a flutter of excitement about reconnecting with my childhood through a technology that requires a bit more deliberation than skimming through a digital playlist with your thumb.
At our age, approaching our 70s, the notion of sitting on your favorite chair with your feet up, glass of wine in hand, and being enveloped in a cloud of happy sound (say, Chet Baker crooning I’ve Never Been in Love Before) is an appealing one indeed — “full of foolish song,” as Chet put it.
I hadn’t played a record in over half a century, so I had to be taught the basics all over again. I’m deathly certain I’m going to break something one of these days, but that will be part of the re-education.
Most days I’ll still probably be using my earphones with iTunes, but with the speakers in Jim’s array, I can’t say how long that will last.
Jim also presented me with some starter LPs, knowing what I liked: Dionne Warwick, Astrud Gilberto, and a choice between the Byrds or America. (So what do you think I chose? Any true-blue ‘60s guy will choose the Byrds, of course!)
What else did I want, Jim asked. Oh boy. Off the top of my head — Spiral Starecase, Chet Baker, Sergio Mendes and Brasil 66, Eumir Deodato, Antonio Carlos Jobim, Simon and Garfunkel, any and all Sinatra, the original Broadway Hair, my favorite Broadway musicals (South Pacific, West Side Story, The King and I —sorry, boys and girls, no Rent or Hamilton there), and any album with the songs that just won’t go out of my head: Dein ist mein ganzes Herz, Amapola, Non ti scordar di me and Sabor a mi.
And no, this won’t become a new addiction. I just don’t have the space. I’m sure of it. Truly. I swear.